Arts Encounters is the multi-arts platform of the d:mic/fac Festival, inviting audiences to experience dance in new and unexpected ways.
Through installations, photography, dance films, podcasts, site-specific flamenco, workshops, and Botanical Readings, Arts Encounters brings movement into conversation with other art forms—expanding how we see, feel, and connect with dance.
These encounters create additional pathways into the Festival’s live performances, offering moments of discovery, reflection, and shared experience.
Celebrating the creativity of artists working across disciplines, Arts Encounters helps broaden the Festival’s reach and reminds us that dance is not confined to the stage—it can be found anywhere we are willing to meet it.
Aug 17 2025
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Rhythm & Sound Workshop: Beginner
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Rhythm & Sound Workshop: Advanced
Aug 21 2025
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Tentacle Tribe Approach Workshop
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dance video: nature is everything...
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Botanical Readings
Aug 22 2025
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The Speaking Body Workshop
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Body Music Procession Workshop: all levels
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dance video: the march of time...
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Body Music Procession Workshop: experienced music/dance chorale artmakers
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Flamenco in sunroom
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Flamenco in sunroom
Aug 23 2025
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EDAM Workshop (contact improv)
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dance video: Kinship (Carlton Cinema)
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Flamenco in sunroom
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Flamenco in sunroom
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Botanical Readings
Aug 24 2025
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dance video: Oblique Strategies
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Botanical Readings
Flamenco Dancing

Performance by Kiyo Asaoka
Farruca is a passionate and bold flamenco palo traditionally performed by male dancers, characterized by intricate footwork and dynamic tempo changes. While it was once mainly danced by men, today, it is also performed by women, with many different interpretations emerging. This particular Farruca, composed by Nicolás Hernández, blends elegant, fluid elements with the traditional intensity and power that define the style.
Limited seating. Sign-up is required.

Kiyo Asoka
Kiyo Asaoka, a professional flamenco artist since 2000, has collaborated with various artists in creating, choreographing, and directing dynamic performances. She teaches flamenco and continues to study under renowned masters from Spain. Kiyo blends traditional flamenco with Japanese influences, creating original works. As the manager of Tablao Flamenco Toronto since 2016, she curates performances and workshops, fostering a vibrant, inclusive community. Kiyo is dedicated to preserving and growing flamenco, believing it to be a universal, welcoming art form free from politics. Her passion for flamenco remains strong, and she strives to ensure its accessibility for future generations.
Photo by Six Shutter Photography
Photo by Six Shutter Photography
RADIOMATON

A creation by Marie Béland
Fabricate your own truth for free. Appropriate words and gestures, embody radio news and contribute to the propagation of information without verification.
A total sensory and immersive experience, RADIOMATON questions the construction of truth, media contamination, fake news and the role of the body in the perception of information.
Installed in a cubicle resembling a photo booth and equipped with headphones broadcasting live a local radio station, each RADIOMATON user must repeat aloud the words they hear, while imitating the gestures that are displayed on the screen in front of them. This recorded performance, mingling movements and words that do not match together, is remixed in a kaleidoscope where all meanings intersect.
AUTOMATIC – INSTANTANEOUS – TECHNICOLOR IN ONLY 5 MINUTES
Co-conception and co-design: Marie Béland and Simon Laroche
Performers: Rachel Harris, Sylvain Lafortune and Bernard Martin
Dramaturge: Kathy Casey
Co-production and Artistic: Montréal Danse and maribé – sors de ce corps
Booking: Art Circulation
We acknowledge the support of the Canada Council for the Arts.
You Can Transform Me

Created by Rumi Jeraj
You Can Transform Me is an immersive dance media performance which asks us to reflect on the impact we have on the lives of those around us. Designed as a choose your own adventure VR experience the work introduces you to a series of creatures and their worlds. These creatures are born from the dreams of the dancers, who were asked what their dance would look like, if it was a being other than themselves. Each experience of the work is unique and designed to remind us of how our small choices, impact those around us.
VR may cause motion sickness in certain individuals.
Creation and Choreographic Direction: Rumi Jeraj
Choreographic assistant: Eilish Shin-Culhane
Artistic assistant: Celeste Chiappetta
Performers: Jasmine Liaw, Amanda Pye, Chrystal Tam, Katie Adams-Gossage, Aryana Malekzadeh, Lucy Rupert, Bobby Markov, Rachana Joshi, Travis Knights
Composers: Adrian Russouw, Cameron Baguley
Character Designer: Will Macrae
Special thanks to: Alli Carry, The Railpath arts Centre, Citadel + Compagnie, Esmerelda Enrique’s School of Spanish Dance
All Choreography was created in collaboration with the dancers
This work was made possible by Expanding the Canvas program and through the Sheridan Screen Industries Research and Training Centre. Thank you to Canada Council for the Arts.
Rumi Jeraj
Rumi Jeraj is an Ismailli muslim hailing from Sherwood Park Alberta (the world’s largest hamlet). A Graduate of Toronto Metropolitan University Rumi has worked for dance artists including Hanna Kiel, Daryl Tracy, Maxine Hepner, Heidi Strauss, and Eilish Shin-Culhane. He has presented his own work at Dusk Dances, the Hamilton Fringe Festival, Citadel Compagnie’s Night Shift and Interaccess Gallery. He aspires to create and be a part of work which mixes forms in order to better tell stories. He believes there is a perfect balance between words, music, and movement which can communicate intellectually, emotionally and viscerally all at once. He aspires to find this state on stage.
Photo by Drew Berry
Photo by Kevin Santos
Rhythm and Sound Tap Class
Beginner Tap class: 5 pm to 6 pm
This class will serve as an introduction to tap dance and will focus on beginner tap techniques as well as starting to understand music foundation. Tap shoes are not required, however please bring some hard soled shoes suitable to wear INDOORS.
Advance Tap Class: 6 pm to 7:30 pm
This class is geared towards dancers that already have developed their relationship with tap dance and are looking to be pushed technically as well as explore new concepts.
Tentacle Tribe Approach

With Tentacle Tribe
After over a decade of experience as professional dancers and choreographers, Elon Höglund and Emmanuelle Lê Phan, founders of Tentacle Tribe, have developed a unique approach to movement. The Tentacle Tribe approach is a concept-based improvisation system, inspired by a wide range of movement philosophies and studies in human anatomy. Putting high emphasis on awareness and decision making, the approach is a mastering of the mechanics and mathematics of the human body in relation to time and space.
As the observer and the creator, from a contemporary lens, we will look at concepts from street styles such as popping and breaking, while learning techniques that will help to expand our movement vocabulary, to an increased level of body awareness and movement consciousness. Through geometric shapes and oppositions, we will explore the capacity for the human body to inhabit multiple planes of space: floor exercises, inversions, “freezes”, traveling across the floor to work on flow, dynamics and control. We will work on the refinement of concepts, in relation to ourselves and other bodies in space, playing with the mechanic and the organic in movements, to give it a sense of illusion and complexity. We will finish with the creation of duets and trios that integrate the day’s concepts. The goal of this workshop is to give a detailed introduction to what the Tentacle Tribe movement approach is, and to provide tools on how to practice and apply it.

Tentacle Tribe
Tentacle Tribe dance company presents their unique brand of conceptual hip–hop, experimenting with intricate partnering, refined musicality and a saturated dose of physical choreography. Through vast experience dancing and choreographing for Cirque du Soleil, Rubberbandance and Cirque Eloize, co–founders Lê Phan and Höglund have redefined their bbboying and bgirling practices into an innovative esthetic that transcends style boundaries and expresses the embodiment of music beyond technique. Since 2013, their work has travelled internationally, both in the contemporary realm, as well as making a huge impact in the Hiphop Theater world, partnering with giants such as Breakin’ Convention and Summer Dance Forever Festival.
Photo by Vladimir Gruev
Photo by Vladimir Gruev
Body Music: Procession Creative Toronto

Morning Workshop:
This all-levels workshop builds on the Migration Dance Film Project’s exploration of procession as a powerful creative form. Led by Sandy Silva, participants will be introduced to foundational body percussion, vocalization, and movement practices. Using simple walking patterns, gestures, rhythms, and thematic material, we’ll engage in an embodied experience that reconnects us with the power of shared pulse—culminating in a meditative journey through sound and movement.
Afternoon Workshop:
Designed for experienced practitioners with a background in rhythm, movement, and vocal work, this advanced workshop deepens the integration of voice, body, and gesture. Participants will explore the intricate interplay of melodic syllables, percussive footwork, hand rhythms, and expressive movement. Through guided improvisation and structured exercises, we’ll develop a cohesive, embodied practice—culminating in a dynamic travelling procession that weaves sound and motion into unified expression.

Sandy Silva
Sandy is an award-winning performer, choreographer, composer, producer, and internationally acclaimed pioneer of percussive dance. She draws from global percussive practices infusing themes with movement, vocal integration, theatre, and impeccable musicality. The result is a unique and powerful form of performance storytelling. After 30 years of performing and teaching around the world, Sandy started the MIGRATION DANCE FILM PROJECT with award-winning director Marlene Millar. Their dance-for-camera films have screened internationally and won numerous awards. Sandy has chosen artists from different artistic disciplines —dancers, singers and musicians — and brought communities together to move beyond traditional body percussion, expanding the depth of percussive dance vocabulary within an unconventional contemporary art form.
Photo by Geoffrey Beauchemin
Photo by Luciana Photography
The Speaking Body

With Rachel Harris
How does our body speak? How do our gestures accompany our words to emphasize or give credibility to what we say? What happens when gestures and words are dissociated? And how is this separation experienced by the person speaking and the person listening?
The workshop begins with a dynamic warm-up, mixing free movement, dance and Qi Gong, allowing our brains to shift to pause and to bring a mindful presence into our physical bodies. Then we will explore the premises of BESIDE by Marie Béland. With the help of headphones and our speaking bodies, we will play with interchanging words and gestures allowing cracks to emerge that reveal something of our essence beneath all the words.
This class is open and accessible for all – adults and teens, ages 11+.
How to prepare for the workshop
Participants should come dressed in comfortable clothing that allows them to move freely and bring headphones and a smartphone or iPad.
Contact Improv

With EDAM
This 2 hour dance workshop is inspired by principles of Contact Improvisation (CI) and will be led by EDAM (Experimental Dance and Music).
Contact Improvisation is a dance form that moves in and out of physical contact in an improvised manner and by communicating using the surfaces of our bodies. The workshop will invite participants through a series of structured and open explorations to cultivate an improvisational mindset and a shared “language” in our dancing. There will be invitations to dance on your own, with a partner, and within the entire group. Prompts such as rolling, sliding, and sequencing across the floor and with a partner will be explored, as well as the invitation to communicate by exchanging weight / pressure through various parts of our bodies.
Contact Improvisation spans from small and meditative movement all the way to dynamic, high velocity dancing. Above all, every moment is a collaboration with a focus on “listening” with one’s whole self and by sensitizing to the physical point of contact. It is a practice of presence and heightened body awareness, as well as a play of physics by harnessing gravity, momentum, and inertia to inspire our dancing together.
This workshop is suited for those with some dance or movement background, however, all levels and abilities are welcome; options will be provided for multiple ways of participating and participants are welcome to partake as much or as little as they feel inspired. Witnessing is an active form of participation and a welcomed form of learning and integration.
How to prepare for the workshop
No need to bring a partner. Wear comfortable clothing: long sleeves and pants are recommended. Kneepads are optional. Dancing is usually done in bare feet.
Photo by Luciana Photography
dance on film and video
In a world seemingly gone mad with conflict and uncertainty, works of art can inform, distract, comfort and give us all strength to keep fighting the good fight. We invite you to engage with our screendance programming over one in-person and three online screenings.
Thrust Podcast
A thrust is an extension that can be added to a stage to increase intimacy between audience and performer. thrust: the dance made in canada podcast provides intimate insights into the perspectives of Canadian dance artists. Tune into our 2025 season on legacy. Change is inevitable, but how does one prepare for it? When artistic organizations are built on an individual’s vision, how do we pass along embodied knowledge and artistic vision? Or do we? Hosted by Aria Evans and produced by Mayumi Lashbrook.

dance stewards
Up and coming dance artists, who will welcome and greet you in the lobby, all while learning about the inner workings of a festival setting.
Photo by Irvin Chow
Banner photo by Andrew Oxenham