Skip to content

Curator’s Note: Louise Lecavalier

To choose and savour the pleasure of colour.
The total abandonment of dancers’ bodies.
Their undeniable competence disguised in simplicity.
Performance à 2 à 3 à 6 or à 8…How many are they?
With the mythical illusion of mirrors dancers are multiplied and liquified.

It’s the Prism of Tentacle Tribe.

Choosing Cristina Bucci because I love her cumulative dance filmed so simply in the studio with almost colourless costumes….one can love things in opposition.

I love the natural and naked rhythmic structure…the attention and the tempo that are established.

The observer/participant is swept away by the pulse and by the primordial organic intelligence. There’s an affinity between Tentacle Tribe and Cristina Bucci like the far sides of the moon. I hope to see these two groups back to back.

Choosing also Suzanne Miller for the originality of her choreographies and the slapsticks that i’ve seen and for the unusual discourse in dance. She’ll be alone on stage bringing to life the portraits of diverse and strange characters. A woman alone with the declaration of human rights. A stunning dance theatre reminiscent of another time (1948) but timeless

Choisir le plaisir et la saveur des couleurs.
L’abandon des corps des danseurs.
Leur ultra compétence déguisée en simplicité.
Leurs jeux à deux à trois à 6 ou 8… Combien, sont-ils?

Avec le mystère du jeu des miroirs qui s’ajoute, les danseurs se multiplient et deviennent liquide, c’est le PRISM de Tentacle Tribe.

Choisir ensuite Cristina Bucci parce que j’ai aimé sa danse cumulative, filmée si simplement en studio avec des costumes à peu près sans couleurs –

…on peut aimer des choses qui semblent opposées.

J’ai aimé aussi la construction rythmique naturelle et épurée…. l’écoute, et puis le tempo qui se propage.

L’individu est avalé par la pulsation, l’intelligence de l’organique.

Il y a une affinité entre Tentacle Tribe et Cristina Bucci, comme les deux côtés de la lune.

J’ai souhaité voir ces deux groupes côte à côte.

Choisir aussi Suzanne Miller, pour l’originalité chorégraphique des saynètes que j’ai vues et pour le propos inusité en danse.

Elle sera seule sur scène à faire vivre les portraits de divers personnages étranges.
Une femme seule avec la déclaration des droits de l’homme.
Une danse théâtre étonnante qui a quelque chose d’un autre temps (1948) mais indémodable.
Schedule

Aug 22 2025

  • -

    + post-show chat

Aug 23 2025

  • -

Aug 24 2025

  • -

Join us for a post-show chat

Fri Aug 22, 8:00 pm
Moderated by David Norsworthy

David Norsworthy

David Norsworthy (he/him) is a Tkarón:to/Toronto-based dance artist, choreographer, and artistic director of mixed Japanese immigrant/British settler descent who is “an exceptionally lucid performer, impressive and articulate” (Globe and Mail). A graduate of The Juilliard School, he delights in asking questions, and is fascinated by the transformative power of dancing. David has performed with dance companies and collaborated with dance creators in Canada, USA, Sweden and Australia including Dancenorth (Melbourne), Skånes Dansteater (Malmö), Peggy Baker Dance Projects (Toronto), and The Merce Cunningham Trust (New York City).  His choreographic career has included independently produced full-length works, international tours, and commissioned projects for companies, universities and schools. David’s choreographic work centres collaboration, and often explores themes of connection, co-creation, consent, and community through interactive experiences. David is the grateful recipient of the Ron Lenyk Award (2016) and was one of three finalists for the Toronto Arts Foundation’s Emerging Artist Award (2018). As a Co-Founder/Co- Director of TOES FOR DANCE, David has initiated educational programs with national reach across Canada, and has spearheaded hyper-local audience and artist development projects. He has also recently served as a Board Member of CanAsian Dance, a Co-Executive Artistic Producer at DanceWorks, and as a part-time Rehearsal Director for Norrdans, a contemporary dance company in Sweden.

Prism (an excerpt)

Montréal, Québec  |  Tentacle Tribe

A group of dancers, dressed in brightly coloured outfits in shades of red, green, blue, yellow, and orange, pose in a symmetrical, sculptural formation against a completely black background. They are reflected on the shiny floor below, creating a mirrored effect. Their outstretched arms and layered positioning evoke the image of a many-armed deity or a complex living sculpture.
A group of dancers, dressed in brightly coloured outfits in shades of red, green, blue, yellow, and orange, pose in a symmetrical, sculptural formation against a completely black background. They are reflected on the shiny floor below, creating a mirrored effect. Their outstretched arms and layered positioning evoke the image of a many-armed deity or a complex living sculpture.

Photo by Do Phan Hoi

A dynamic contemporary dance scene shows four dancers interwoven in a complex pose. Two dancers in orange and red hold another dancer high, whose leg is extended upward in a striking position. Their intense focus and physical coordination are highlighted by dramatic lighting against a dark background.

Photo by Do Phan Hoi

Two dancers perform a duet in front of a reflective mirror wall. One dancer in a white shirt and beige pants stands grounded, lifting and supporting another dancer dressed in green. Their pose suggests a moment of tension and trust. Overhead spotlights cast long reflections on the polished floor and mirror behind them.

Photo by Do Phan Hoi

Photo by Do Phan Hoi

A group of dancers, dressed in brightly coloured outfits in shades of red, green, blue, yellow, and orange, pose in a symmetrical, sculptural formation against a completely black background. They are reflected on the shiny floor below, creating a mirrored effect. Their outstretched arms and layered positioning evoke the image of a many-armed deity or a complex living sculpture.
A group of dancers, dressed in brightly coloured outfits in shades of red, green, blue, yellow, and orange, pose in a symmetrical, sculptural formation against a completely black background. They are reflected on the shiny floor below, creating a mirrored effect. Their outstretched arms and layered positioning evoke the image of a many-armed deity or a complex living sculpture.

Photo by Do Phan Hoi

A dynamic contemporary dance scene shows four dancers interwoven in a complex pose. Two dancers in orange and red hold another dancer high, whose leg is extended upward in a striking position. Their intense focus and physical coordination are highlighted by dramatic lighting against a dark background.

Photo by Do Phan Hoi

Two dancers perform a duet in front of a reflective mirror wall. One dancer in a white shirt and beige pants stands grounded, lifting and supporting another dancer dressed in green. Their pose suggests a moment of tension and trust. Overhead spotlights cast long reflections on the polished floor and mirror behind them.

Photo by Do Phan Hoi

Photo by Do Phan Hoi

Toronto Premiere

Colour portrait of a person with long straight dark hair and blunt bangs, standing indoors in soft, diffused lighting. They wear silver hoop earrings and a sleeveless white mesh top that reveals shoulder tattoos. Their expression is calm and confident as they look directly at the camera.
Photo by Elias Djemil-Matassov
Black and white portrait of a person with long dark hair tied back, facial hair, and visible tattoos on their arms and neck. They wear a sleeveless black tank top and sit casually with an arm resting on their knee, looking calmly at the camera against a plain light background.
Photo by Gaëlle Leroyer

Emmanuelle Lê Phan, Elon Höglund

With talent to spare and an abundance of imagination, the creative duo deploys their tentacles in luminous spheres. They deepen their exploration of perception, illusion and the invisible, searching for what we cannot really grasp, what is hidden from words and the gaze. A quintet of dancers move between a reflective floor and movable mirror panels that they can manipulate from different angles. Kaleidoscopically multiplied tenfold, their bodies seamlessly unite and intermingle, in synergy with Höglund’s music. Prism opens up a myriad of possibilities, distorting perspectives and deconstructing movement into infinite combinations of colourful images. A dreamlike journey with a truly hypnotic effect.

Nominated for the Sadler’s Wells International Rose Prize.

“…endlessly and inventively with mirrors, limbs and bodies repeating themselves in reflections to dreamlike effect.”
– Stir, Arts & Culture

Choreographer: Emmanuelle Lê Phan  & Elon Höglund  

Performers: Emmanuelle Lê Phan, Elon Höglund, Rahime Gay-Labbé,  Céline Richard-Robichon, Mecdy Jean-Pierre  

Set Designer: Charles Cormier & Rahime Gay-Labbé  

Lighting Designer: Benoit Larivière  

Music Designer: Elon Höglund

Co-Production: Diagramme Gestion Culturelle & Danse Danse

Emmanuelle Lê Phan, Choreographer/Performer

Québeco-vietnamese and raised in Ottawa, B-girl known as Cleopatra and co-founder of dance company Tentacle Tribe, Emmanuelle Lê Phan has forged a singular career path intermingling breaking and contemporary dance.Her dance’s virtuosity brought her to Cirque du Soleil (Beatles Show) and Cirque Éloize stages (ID) and dancing for Rubberbandance, Bboyizm and Out Innerspace.Now in Quebec City, Emmanuelle is committed to the development of street dancers by organizing battles, open practices and the Coro Casse Festival at the Grand Théâtre de Québec.B-girl Cleopatra reps Legendary Crew and is a certified WDSF judge for Breaking.

Elon Höglund, Choreographer/Performer

Born in Stockholm, co-founder of Tentacle Tribe, Elon Höglund developed a deep interest for Hiphop & martial arts and trained extensively in various forms: kung fu, capoeira and tae kwon do. Since 2001, Elon has performed and choreographed fusion-style contemporary works for theatre, dance and contemporary circus productions.Elon aka b-boy Wandering Spirit, is a member of Montreal’s Fresh Format crew and Stockholm’s Concrete Kingz. Elon is also a multidisciplinary artist who produces his own music, paints and creates film projects. At the moment Elon is working his own, new production, DIRT.

Mecdy Jean-Pierre, Performer

Mecdy Jean-Pierre, originally from Montreal/Haiti, is an accomplished choreographer, performer, and streetdance teacher specializing in popping and contemporary dance. With over 15 years of experience, he has represented Canada internationally, won multiple titles, and taught workshops globally. His diverse journey includes exploring Afro-American dance, drumming, sound healing, and sacred practices. Known for his therapeutic dance approach, Mecdy promotes conscious movement, emphasizing breath, alignment, and energy. He has collaborated with prestigious companies like Cirque du Soleil, Tentacle Tribe, We all fall down and Blueprint Dance Company, and appeared in films such as Step Up All In and Full Out.

Rahime Gay-Labbé, Performer/Set Designer

Rahime, known by his alias NOSB (New Old School B-boy), began dancing at age nine, using his skills and passion for percussion to explore dance as expression. A key member of Bboyizm Dance Company from 2012 to 2016, he contributed to pieces like “IZM” and “Evolution.” With over 10 years of teaching experience, NOSB has worked in over 400 schools across Canada, inspiring others through dance. In 2017, he joined Tentacle Tribe, performing internationally in works like “Ghost” and “Prism”. A talented carpenter, Rahime has ventured into set design for various productions, such as Prism. NOSB continues to travel, seeking balance and growth through dance.

Celine Richard-Robichon, Performer

Céline is a multi-disciplinary artist with a strong background in dance, having trained in ballet, jazz, tap, and street dance. Originally from Ottawa, she moved to Montreal and later Toronto, where she performed in Gadfly productions and worked on TV, movie, and music video sets. Céline has performed with artists like Marie Mai and Eli Rose at major venues. She now dances with Tentacle Tribe and Ebnfloh, both touring internationally. Céline’s self-directed work blends media, movement, and objects, with her recent piece oui/non presented at Tangente in 2019. She is also part of two artist collectives, Speakeasy and FRGMNT.

Benoit Larivière, Lighting Designer

Benoit Larivière is a lighting designer and technical director for Tentacle Tribe. He has designed lights for many other Montreal dance companies.

Project Inizi

Vancouver, British Columbia  |  Cristina Bucci

Seven dancers are in synchronized formation, crouched and angled in the same direction in a brightly lit studio. The central figure wears grey sweatpants and a grey t-shirt with a patterned bandana and leads the group with a strong, grounded stance. The dancers behind follow with attentive focus, wearing neutral-toned clothing and socks on a glossy black floor.
Seven dancers are in synchronized formation, crouched and angled in the same direction in a brightly lit studio. The central figure wears grey sweatpants and a grey t-shirt with a patterned bandana and leads the group with a strong, grounded stance. The dancers behind follow with attentive focus, wearing neutral-toned clothing and socks on a glossy black floor.

Photo by Vitantonio Spinelli

A group of six contemporary dancers is mid-motion in a brightly lit rehearsal studio. Each dancer is captured in a dynamic pose with limbs extended, appearing to reach upward or outward. They are wearing casual rehearsal clothes such as t-shirts, joggers, and socks. The room features large wooden doors and a tall grid window, with ballet barres lining one wall.

Photo by Vitantonio Spinelli

A cluster of dancers rehearse in a dance studio, captured in a moment of energetic movement and coordinated action. The dancers wear loose, comfortable clothing in shades of grey, white, and blue. Their positions suggest a choreographed sequence, with arms and legs extended in various directions. The background features white walls and soft curtain panels.

Photo by Vitantonio Spinelli

Seven dancers are in synchronized formation, crouched and angled in the same direction in a brightly lit studio. The central figure wears grey sweatpants and a grey t-shirt with a patterned bandana and leads the group with a strong, grounded stance. The dancers behind follow with attentive focus, wearing neutral-toned clothing and socks on a glossy black floor.
Seven dancers are in synchronized formation, crouched and angled in the same direction in a brightly lit studio. The central figure wears grey sweatpants and a grey t-shirt with a patterned bandana and leads the group with a strong, grounded stance. The dancers behind follow with attentive focus, wearing neutral-toned clothing and socks on a glossy black floor.

Photo by Vitantonio Spinelli

A group of six contemporary dancers is mid-motion in a brightly lit rehearsal studio. Each dancer is captured in a dynamic pose with limbs extended, appearing to reach upward or outward. They are wearing casual rehearsal clothes such as t-shirts, joggers, and socks. The room features large wooden doors and a tall grid window, with ballet barres lining one wall.

Photo by Vitantonio Spinelli

A cluster of dancers rehearse in a dance studio, captured in a moment of energetic movement and coordinated action. The dancers wear loose, comfortable clothing in shades of grey, white, and blue. Their positions suggest a choreographed sequence, with arms and legs extended in various directions. The background features white walls and soft curtain panels.

Photo by Vitantonio Spinelli

World Premiere

A woman is captured in a contemplative pose against a dark background. She rests her head on her hand, with her gaze directed upward, appearing thoughtful or introspective. She wears a patterned dress with soft red and white floral designs. The lighting is low and dramatic, creating gentle highlights on her face and arm, while the rest of her body is subtly blurred, evoking a sense of movement or reflection.
Photo by Diane Smithers

Cristina Bucci

Project Inizi explores the integration of locking within a contemporary dance context, bridging genres through movement, history, and collaboration. During the research phase, dancers trained in locking technique and history while contributing to the creative process. This excerpt reflects that exploration, which will evolve into a full-length production premiering in spring 2026. Inspired by my training with Greg Pope (Greg Campbellock Jr.), I remain committed to preserving and evolving locking—using its gestures to examine power and hierarchy. With a cast of six virtuosic dancers, this work highlights interdependence, collaboration, and the urgent need to reconnect in a divided world.

“Veritá, transported the audience to another world. That ability to capture the audience’s attention and keep them engaged throughout the whole creation is rare, and Cristina’s storytelling achieved just that.”
– Davi Rodrigues (Lamondance Company Director)

Choreographer: Cristina Bucci in collaboration with the performers.

Performers: Kinui Oiwa, Yuha Tomita, Nali Richards, Noah McKimm, Rosalie Caron, Nathan Coburn

Lighting Designer: Gillian Hanemayer

Costume Designer/Outside eye: Maiko Miyauchi

Research phase: Eowynn Enquist, Isak Enquist

Cristina Bucci, Choreographer

Cristina Bucci is a dance artist with over 20 years of experience in the arts in Canada. She co-founded OURO Collective in 2014, received the Women of Honor Award for her contributions to street dance in Vancouver in 2019 and was honoured with the 2023 Jacqueline Lemieux Prize. Her work has been commissioned by Lamondance (Canada), Yarita Yu Ballet (Japan), and KMA Orchestra (Japan), with performances at major festivals in the USA, Canada, and Japan. A passionate educator and holistic nutritionist, she continues to shape the next generation of artists while expanding her artistic voice. Looking ahead, Cristina is embarking on a new chapter in her career, focusing on developing her repertoire as an independent artist.

Yuha Tomita, Performer

Yuha Tomita was born in Japan where she started dancing and grew up. Yuha traveled to UnitedStates to study English and dancing, and moved to Vancouver in 2018 to join the Arts Umbrella’s Post-secondary program. After graduating she joined Lamondance Company for a year. In 2022, she decided to continue learning with Modus Operandi where she graduated in June, 2024. Yuha is currently a freelance dance artist in Vancouver, and has participated in projects with various artists such as Dance//Novella, Co. ERASGA, Cristina Bucci, and Maiko Miyauchi. Yuha also is a one of the faculty member at Arts Umbrella.

Rosalie Caron, Performer

Originally from Quebec, Rosalie Caron began her professional training at Ballet Divertimento, where she had the opportunity to participate in an international exchange with the Royal Conservatoire of Scotland. She later joined the Post-Graduate Program at Alberta Ballet.Rosalie also had the opportunity to dance in Italy at Orsolina 28, working on Crystal Pite’s repertoire. She is currently dancing with Lamondance in Vancouver, under the direction of Davi Rodrigues.She is part of the production Sans Toi[T], created by Janie and Marcio, which has been touring across Quebec from 2024 to 2026. She also had the opportunity to be part of the televised dance competition Révolution in its sixth season.Rosalie is incredibly grateful and excited to be part of Cristina Bucci’s Projet Inzi since its inception and looks forward to sharing this experience with the audience.

Maiko Miyauchi, Costume Designer & Outside Eye

Maiko Miyauchi began her dance education at the Ecole de Ballet Classic in Kumamoto and Tokyo Junior Ballet under the direction of Asami Maki. After graduating high school, Maiko moved to Canada to pursue her training at Goh Ballet Academy in Vancouver. As Co-Founder of OURO Collective, Maiko continues to explore different realms and styles of dance. As a performer, she has worked with contemporary companies and choreographers, including Company 605, the Response, Tentacle Tribe, Mariko Kakizaki (L-E-V), and Rubberlegz. As a choreographer and movement coach, she has worked with global brands like Uniqlo, New Balance, EA Sports, Lululemon, and Aritzia.

Nathan Coburn, Performer

Nathan Coburn was born in Vancouver, BC, and graduated from the Arts Umbrella Dance Program under the direction and mentorship of Artemis Gordon. At Arts Umbrella, Nathan learned from dance artists such as Crystal Pite, Eric Beauschene, Fernando Hernando Magadan, Lesley Telford, and Doug Letheren, among many others. In 2022, he was a dancer with the Ballet BC Annex, and has performed as a freelancer in works by Jacob Williams, Kay Huang Barnes, Jera Wolfe, and Okanagan Ballet Theatre. He is a co-founder, creator, and performer with Paper Rabbits, an experimental dance theatre collective based in Vancouver, BC.

Gillian Hanemayer, Lighting Designer

Gillian Hanemayer is an interdisciplinary artist based on the unceded and traditional territories of the Musqueam, Squamish, and Tsleil-Waututh first nations, known as Vancouver, Canada. She works primarily as a Lighting Designer and Production Manager in theatre and dance, but her other practices include installation work, writing, performing, and devising work across disciplines. She is interested in designing through the lens of design-led creation processes, sustainability in live performance, feminist theory, and finding joy through story telling. She holds a BFA from the School for the Contemporary Arts at Simon Fraser University, in Burnaby BC. She graduated with distinction in the Theatre Production and Design program, with a minor in Gender, Sexuality, and Women’s Studies.

Kinui Oiwa, Performer

Kinui Oiwa is a Japanese contemporary dance artist based in Vancouver Canada & Tokyo Japan, and trained at PNSD Rosella Hightower and earning a dance diploma with the Cannes Junior Ballet Company. In 2018, Kinui joined Balletto di Roma, touring Europe and performing works by Davide Bombana, Itamar Serussi, Fabrizio Monteverde, and Andrea Martini. In 2022, Kinui joined OURO Collective, performing 7y98d and Ouroboros. Kinui has also worked on commercial projects with OCIN, Lululemon, Vancouver Opera, and Canon gaining experience in motion capture, commercials, and music videos. Lastly, Kinui, along with collaborator Eric Cheung received the Chrystal Dance Prize 2024/25.

Nali Richards, Performer

Nali Richards is a Lethbridge born dancer who started off their training at Joy’s Dance Factory in ballet, jazz, and contemporary. She spent her high school years as a part of the LCI arts academy, taking on the new knowledge of different dance styles ranging from street styles to modern Graham technique. Nali is one of the first graduates to have completed the full 4 years of arts academy and is very proud to have come from such an amazing program. During her summers, she would go out and train in intensives to work with some of the top dance schools in America. She’s trained with Alberta Ballet and Joffrey Ballet School and, with that experience, has had the opportunities to work with amazing teachers and directors such as Edmund Stripe, Christiana Bennett, Tiffany Knight, and Heather Ogden. Nali has recently graduated from Lamondance under the direction of Davi Rodrigues.

Noah McKimm, Performer

Noah McKimm is a freelance contemporary dance artist currently based in Vancouver, BC. Having received classical training in Montreal, Vancouver, and Berlin, he has had the opportunity to perform works by Lesley Telford (Inverso Productions), Nicolas Ventura (Addo Platform), Davi Rodrigues (Lamondance Company) Alexis Fletcher (Belle Spirale), Meaghan O’Shea (Stand Up Dance), Kelly Hobson (Dance Victoria), and Kathy Lang (Third Canvas Dance), as well as learning from a diverse range of classical and contemporary voices in both BC and abroad.

Eowynn Enquist, Performer (Research)

As a free-lance dance artist Eowynn Enquist’s professional growth and artistic voice has been supported by collaborations with established dance companies and independent choreographers in Canada such as: Action at a Distance, Anne Plamondon Productions (Montréal,QB), Anya Saugstad, Corporeal Imago, Cristina Bucci, Daria Mikhaylyuk, Heather Myers, Isak Enquist, Kinesis Dance Somatheatro, Mahaila Paterson-O’Brien, Mascall Dance, Nicole Von Arc for Edmonton Opera’s production of Orphee+, Out Innerspace Dance Theatre, Rachel Meyer, Radical System Art, Vision Impure Compagnie, and Wen Wei Dance. Recently Eowynn has been an interpreter in films premiered at: Vancouver Asian Film Festival 2023, Vancouver International Film Festival 2023, Festival of Recorded Movement 2022, Made in Canada festival 2023, Innovate showcase 2023, and Zêzere Cinedança Festival 2023.

Isak Enquist, Performer (Research)

Isak Enquist is a dance artist, choreographer, actor, teacher, and experimental sound designer living on occupied and unceded territories of the Səl̓ílwətaʔ, Skwxwú7mesh, and xʷməθkwəy̓əm nations. Raised in the Ktunaxa of Canada, Isak began formal training in Shotokan Karate-Do before post-secondary dance education at Simon Fraser University and Modus Operandi (Vancouver). He has performed nationally and internationally with Out Innerspace Dance Theatre, Compagnie Vision Impure, Mahaila Patterson-O’Brien, Amber Funk Barton, Mascall Dance, Generous Mess, Radical System Art, Corporeal Imago, Cristina Bucci, and Anne Plamondon Productions.

What belongs to us/Ce qui nous appartient

Montréal, Québec  |  Suzanne Miller & Allan Paivio Productions

A barefoot dancer dressed in black lunges forward mid-motion on a dark stage. Behind her is a dramatic pile of overturned wooden chairs, forming an expressive and chaotic backdrop. The lighting is stark, casting bold shadows and drawing attention to the contrast between movement and stillness.
A barefoot dancer dressed in black lunges forward mid-motion on a dark stage. Behind her is a dramatic pile of overturned wooden chairs, forming an expressive and chaotic backdrop. The lighting is stark, casting bold shadows and drawing attention to the contrast between movement and stillness.

Photo by Allan Paivio

An abstract, colour-enhanced image of a dancer in motion. The performer is bent forward, one arm stretching toward the floor while seated on a bright red wooden chair. The image features high-contrast red and orange tones with black shadows, creating an intense and stylized visual effect.

Photo by Suzanne Miller

Photo by Suzanne Miller

A barefoot dancer dressed in black lunges forward mid-motion on a dark stage. Behind her is a dramatic pile of overturned wooden chairs, forming an expressive and chaotic backdrop. The lighting is stark, casting bold shadows and drawing attention to the contrast between movement and stillness.
A barefoot dancer dressed in black lunges forward mid-motion on a dark stage. Behind her is a dramatic pile of overturned wooden chairs, forming an expressive and chaotic backdrop. The lighting is stark, casting bold shadows and drawing attention to the contrast between movement and stillness.

Photo by Allan Paivio

An abstract, colour-enhanced image of a dancer in motion. The performer is bent forward, one arm stretching toward the floor while seated on a bright red wooden chair. The image features high-contrast red and orange tones with black shadows, creating an intense and stylized visual effect.

Photo by Suzanne Miller

Photo by Suzanne Miller

Toronto Premiere

A close-up portrait of an older woman with long, wavy grey hair wearing large, round teal eyeglasses decorated with ornate green and gold embellishments near the corners. She is smiling warmly and looking directly at the camera. She wears a black top with layered necklaces. The background is softly blurred, and she is seated on a bright red chair. The overall image conveys a sense of warmth and creative individuality.
Photo by Allan Paivio

Suzanne Miller

My choreography borrows from language whereby the experience of forming letters or characters in space, serve as visible signs of ideas in motion.

In the piece, the soloist embodies an invented movement alphabet and translates the UN-Universal Declaration of Human Rights into 30 dances relative to the 30 articles that are constituted in the world’s most translated document. The dance is a process of “re-member-ing,” where all body parts are distinctive in terms of function and motility. Multiple actions can be performed either as single units and/or simultaneously.

What belongs to us/Ce qui nous appartient,” serves as a question, an affirmation and a social commentary. Using dance as a form of protest and resilience – we ask ourselves, what is shared – what is resisted – what belongs to us?

 Choreographer, Costume and Set designer: Suzanne Miller

 Composer, Sound Designer: Allan Paivio

Performer: Magali Stoll

Lighting Designer: Lee Anholt

Suzanne Miller, Choreographer

Suzanne Miller is a company director, choreographer, dancer, costume-set designer and teacher based in Montreal, Canada. Since 1985, her multi-ranged practice evolves through dialogue with people, place, and history. Her choreography draws from autobiographical resources that often confront social issues using dance as a form of knowledge – memory and making. Her current work borrows from language whereby the process of forming letters or characters in space, serve as visible signs of ideas in motion. In this way, language is used as a kind of interface between mind and body — where selected texts are physically translated into dance. In 2021, Oxford University Press published her written piece “Moshe, Moishe, Moses” that describes her language-based processes for creating dances.

Allan Paivio, Composer, Sound Designer

Allan Paivio’s music compositions and sound designs create the aural landscapes for Suzanne Miller & Allan Paivio Productions, based in Montreal, Canada. Their collaborations have toured across North and South America, Europe, the Middle East, and South Asia. “As a musician and composer, I explore the integration of live music, field recordings, and electroacoustic processes, focusing on the primary source and inspiration of my work—the body. My traditional training in violin, rhythm, and extended voice techniques enables a deep physical and spiritual engagement with dance. In contrast, electroacoustic processes provide a reflective distance, allowing me to intricately sculpt sound objects and frame them as cultural signs. I often blend these two realms in my compositions to create a rich and dynamic auditory experience.”

Magali Stoll, Performer

Originally from Switzerland, graduate of the Royal Academy of Dance, Magali Stoll moved to Montreal in 1999. She has been dancing there for numerous choreographers and independent artists, including recent works with Bettina Hoffmann (film Memories of touch and performance Drift). Member of the company FLAK (José Navas) from 2002 to 2006, she is a long-time collaborator of Suzanne Miller and Allan Paivio from 2000 to the present with whom she has participated in the creation and tours of Jewels, Speed (notably in Venezuela, Mexico and Palestine), Dancing with Skeletons, Projet eau : soif, and What Belongs to Us. Holder of a master’s degree in translation from the University of Montreal, she also works as a translator in the arts field.

Lee Anholt, Lighting Designer

Lee Anholt moved to Montréal in 1990 after completing a BAC in Contemporary Dance at Simon Fraser University. His work was produced in Montréal, Toronto and Vancouver. From 1995 he began gravitating towards technical theatre. Lee was the technical director and lighting director on tour for Montréal Danse and FLAK (José Navas) for many years and had the chance to work with many great creators in dance and theatre including notable artists such as Peggy Baker, Louise Lecavlier, Denis Marleau (UBU) and Chantal Caron.  In addition, Lee has been serving as the Director of Production and Technique for Danse-Cité since 2012. Lee Anholt works independently to create lighting for theatre, music, and especially dance.

Banner photo by Allan Paivio

Back To Top
No results found...